Laerte-se (2017) – Film Review

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Available to watch on Netflix. This documentary explores the life of Brazilian cartoonist Laerte Coutinho, who in 2004 came out as a transgender woman after nearly six decades of living as a heterosexual man. The death of one of Laerte’s sons seemingly triggered a bout of gender dysphoria. This led to an exploring of the titillating idea of transvestitism: firstly in the fictional cartoon strips that brought her fame, and latterly in the dressing of her own body. Laerte is not strictly transsexual – she damn well likes her penis, and is disturbed by the notion of losing it – although she’s perturbed by her scrotum and yearns for breasts. But as this film makes delightfully clear, gender is a spectrum that should be considered (celebrated, even!) as a separate condition from biological sex. Laerte decries certain ‘fascists’ in the transgender community who try to put her down for not having had breast implants, implying that she’s somehow less of a woman because of it, a line of argument she rightly dismisses as ‘corporatism’. If gender identity is fluid then it should be entirely about choice, and nobody should be able to dictate how your body corresponds to said choice. Laerte-se is a forceful argument in this vein: one striking shot sees Laerte shaving in the shower, her penis protruding slightly from in between her legs, reminding us that genital and (performative) gendered sex can be quite different things. Laerte herself, as a human being, comes across as warm and likeable throughout, but rather distant – there are emotional barricades she puts up, seemingly to bar this documentary from full access, so that by the end she still remains quite an enigma. Her cartoons, which are generously deployed, give a glimpse of a deeper malaise and dissatisfaction, yet they’re always smothered with black humour – hinting at a more intimate well of personality, which the filmmakers never quite unmask. Still, as an examination of gender fluidity first and foremost, Laerte-se’s both fascinating and prescient. And its profundity ultimately boils down to a simple statement, as most profundities do: ‘human beings should be allowed to enjoy themselves, regardless of gender.’ What kind of asshole would disagree with that?

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