Midwest Farmer’s Daughter was the most promising country debut of last year: warm, sincere, literate, open, and very well crafted. Now she opens up this four-track quickie EP with: ‘Sometimes I’m Virginia Woolf/Sometimes I’m James Dean’. With that, I’m sold. Interestingly, despite being only 15 minutes, Weakness sees her stretching out, particularly in the 6 minute ‘Paper Cowboy’, which starts off as a subdued 3/4 waltz dirge and finishes as a stonking 4/4 jam session in which her band show off their chops: the bass carefully goosesteps around some ace pedal steel guitar lines (from Luke Schneider) and solos that come straight at you out of 70s classic rock and 60s psychedelia. It surely is a lot of fun, and complemented by the title track’s more conventional country lament set to a rollicking tune, it sets up a promising outlook to Price’s future projects. Undermined slightly by ‘Just Like Love’, a far from invigorating number produced with a melancholy quietude that sadly exposes Price’s vocal lack of subtlety – she should do some research on Miranda Lambert, Angaleena Presley, Ashley Monroe, Kacey Musgraves, and Sunny Sweeney, to find out how these minor-key moments can be done properly. Which is only to say that in this killer time for country ladies, perhaps the greatest ever, Price will need to step up her game in order to stand out. But then the final track, ‘Good Luck (For Ben Eyestone)’, convinces me that she might have a fair shot: a piano-led tribute to a friend of hers who died of cancer, a 28 year-old drummer, which through tiny inflections manages to mediate a sense of loss whilst bypassing histrionics. It’s a keenly felt moment that tells us much about death. Perhaps as much as the tragedies of Virginia Woolf or James Dean, two sad lives I hope Price will never really try to emulate.